Showing posts with label photoimaging. Show all posts
Showing posts with label photoimaging. Show all posts

Sunday, December 13, 2009

the calm before the finals storm


carlo van de roer


zoe leonard


jeff wall


brian ulrich


wolfgang tillmans

some photographers i've fallen in love with over the course of the semester + some old favorites. one thing that photoimaging, unexpectedly, has been really good for... finding and defining a photographic aesthetic that excites me. once you get past foundation year, it seems all to easy to get sucked into your major and miss all of the other exciting stuff outside of your medium.

Monday, November 16, 2009

a post for the pops



because i've been slacking in the posting work department, and a certain someone's been calling me out on it... here's some stuff that feels like i made only yesterday, but was really from three weeks ago. we had a "client" project for photo imaging where we had to produce two different options for a cd case, book cover, and exhibition poster. in the spirit of clients and cd covers, here's a client letter i found on swiss miss that i think you'll especially enjoy, dad.


ps. for anyone who's interested, the baltimore round robin tour was actually a pretty sweet concept. here's their blog from 2008. and if you scroll down on the right you can download the compilation cd i made the cover for.

Thursday, October 8, 2009

stuff in the sky




surrealism? maybe? yet another photoimaging assignment.

Wednesday, September 23, 2009

sav-a-lot still lifes





i wanted to channel a modern day raphaelle peale for this photo imaging still life assignment. (2 found, 2 composed.) beyond the allure of sav-a-lots dirt cheap prices, i've long been a fan of the crazy off brand names and colorful patterns of stacked packaging. not included in my final four (but totally purchased) were the "higglets hot n spicy" pork rinds and "fruity diamonds" cereal.

Thursday, September 10, 2009

characteristics of a photograph


the thing itself
"he learned that the world itself is an artist of incomparable inventiveness, and that to recognize its best works and moments, to anticipate them, to clarify them and make them permanent, requires intelligence both acute and supple."


the detail
"he could only record it as he found it... he could only isolate the fragment, document it, and by so doing claim for it some special significance."


the frame
"the photographer looked at the world as though it was a scroll painting, unrolled from hand to hand, exhibiting an infinite number of croppings - of compositions - as the frame moved onwards."


time
"all photographs are time exposures, of shorter or longer duration, and each describes a discrete parcel of time. the time is always the present... photography aludes to the past and the future only in so far as they exist in the present, the past through its surviving relics, the future through prophecy visible in the present."


vantage point
"and yet it is photography that has taught us to see from the unexpected vantage point, and shown us pictures that give the sense of the scene... an artist is a man who seeks new structures in which to order and simplify his sense of the reality of life."

our first assignment for photo imaging was to read john szarkowski's seminal "the photographer's eye" and respond by taking five pictures over five days. those were my five, along with some of szarkowski's quotes. he has such a poetic way of putting things everyone already knows about photography, but tends to overlook.