two and two together

a surplus of sweet security envelopes (from student loan letters galore.) plus no longer postpone-able thank you notes (needed for scholarships.) voila! it's only fitting.

no seatbelt necessary

michigan and it's motor city has always been a sore spot for me. (perhaps if the people mover did more than just go in a circle...) but once a year, an event comes around that makes one able to put aside things like this and this: the woodward dream cruise. even though the pontiac part of the festivities are just a few minutes away, and we go almost every august, my dad still gets excited when dream cruise time rolls around.


according to him, his souped up 32 ford is my rembrandt. i still don't think i quite get any car obsession, but i can appreciate that part of it. as we walked around and he pointed out details that have been simplified and streamlined over the years, i couldn't help but feel a sense of nostalgia myself (of course it was the retro script that i liked the most) for these beautifully designed relics of a time gone by.

twenty years

the slogeris family tradition continued in colon this past weekend. it's been twenty years. and i'm almost on to the whole levitation trick...

but i think i have a new favorite: magic show posters. especially when they are stapled to ceilings without leaving even an inch uncovered. so cool.

catching on

"here becky. check this out. talk about design that changes someone's life."
true that. good job, momsie.

letraset love

to aid in the completion of a last week of pre-college gd zine blitz, the classroom is covered with sheets of lovely old school letraset. i couldn't resist. 8 pt franklin gothic extra condensed and a national geographic flower shot from the seventies. perfection.

here's the rest of the quote: 

(from jan tschichold's "the new typography")

"...where slackness is still the rule, we must make it our work to fight against laziness, envy, and narrow-mindedness. typography too must now make itself part of all the other fields of creativity."

making cash money with mel chin

mr. mel chin returned to mica last tuesday (he spoke at the commencement ceremony in may) to recruit some maca (masters of art in community arts) students and other artists, and involve baltimore in his latest grandiose gesture: the fundred dollar bill project. as someone who is known for assessing the situation and responding creatively and collaboratively, it was neat to hear how this latest project came about. because when he went to new orleans in the aftermath of katrina, there were no words for the devastation before him. as he explained tuesday, "sometimes you are experiencing things beyond you." it was the first time he was completely stuck. so he did research. and he found that there was an even bigger problem to address, further entrenched in the city and long ignored: lead poisoning. while, thankfully, we are smart enough today to severely limit our use of lead, in older cities with contaminated soil any uneducated residents are at risk from birth. (lead poisoning has proven corrolations with learning disabilities and violent behavior....)

when mel asked how much it would cost to clean it up, he was told a total of 300 million dollars. knowing that the only way to get that money would be to actually make it, he started collecting "fundred" dollar bills from students all over the nation and storing them in a vault in a new orleans neighborhood. the plan? present these fundreds to congress (via an armored car running on vegetable oil from school cafeterias where students have contributed) for an even exchange of 300 million to then use to reclaim the soil in new orleans. (there is a team of scientists currently working on finding the smartest solution, so a plan of action can be presented in tandem with the "cash.") eventually, this completely "community arts" project can serve as an example for other cities in the same boat. detroit. baltimore. and so on. sounds like a pretty cool idea if you ask me. i can't wait to make my contribution and see how it all plays out.

and because mel isn't the only one who has to respond to shitty situations by making art, here are some other post katrina projects:

prospect new orleans
the hurricane poster project
spoiled

photo above taken by amanda wiles

same place, new view

mica pre-college 2009 in full swing. (please note how the photo i picked is lacking any sign of the two hundred and fifty kids/students that i am happen to be sharing the commons with. when i look back at this in a few years i want to make sure i have some calm, serene moments thrown in with the other memories of sweaty baltimore days, swine flu, half-asleep rounds, a billion trips to rite aid, silly string at tuck-in, and all that other fun stuff.)