Showing posts with label museums. Show all posts
Showing posts with label museums. Show all posts

Friday, January 16, 2009

something to take note of around the time you realize museums aren't working anymore


i've had it in the back of my head for awhile now that museum curation could be really cool. it's usually the first thing i can think of when people ask me what i could do with an mfa. to other people, curation constitutes a career. and it sounds a lot better than "living in a cardboard box."

it dates back to a moment i had at the national gallery when i was a senior in high school. (and set on going to georgetown...) after that, seeing massive change at the mca in chicago did it for me. (nothing can match seeing huge vinyl letters on three story white wall like that.) and the ah-ha feeling followed me to mica, where i hated the walters art museum until, quite literally, the light bulb went off and i realized that even though i wasn't interested in the content, i could spend hours admiring how it was composed.

but it has been some time since i've seen something in a gallery that made me think differently again about how that space could be used. i got my aiga newsletter the other day (because i'm a fancy shmancy student member now!) and followed the link to their annual design exhibition. from what i could gather, every piece of the exhibition mounting is made to have a life after the show ends, with the new york organization publicolor. now that, i thought, is clever.

check out the exhibition slideshow for more pictures. (and while you're at it, check out the people who designed it, too.)

Saturday, October 11, 2008

visionary thinking


today i took a group to the american visionary art museum (part of my little "museum a month" series as a program manager.) they had just opened their new exhibition, "the marriage of art, science, and philosophy." and after being blown away by the last one ("all faiths beautiful") i was a little disappointed. the things that were so engaging before, like the wall text in particular, seemed to only be re-canned (the fonts were exactly the same), just with different content. i was able to get some awesome quotes. but, unfortunately the experience felt like nothing new. (i hold my praise for innovative exhibitions that flawlessly combine the two.)

spending less time at that exhibition did, however, give me the chance to venture over to a building of the museum i had never looked in before. upstairs was a small installation about jim rouse, a maryland urban planner. seeing this social visionary among the artistic visionaries shown in the rest of the museum (outsider art, obsessive compulsive creations, prison art) was a suprise. and much more up my alley. a social visionary, as defined by avam, champions and furthers what is best about being human. that simple. that huge. i sat infront of this wall text and copied it word for word. i love when i find a "manifesto" like this that says so much in such a straightforward way.

1. expand the definition of a worthwhile human life.
we must hold fast to the realization that our cities are for people and unless they work well for people they are not working well at all. as the peopl of the world learn what is possible, they will demand that their cities be geared to the humane and the beautiful.

2. engender respect for and delight in the gifts of others.
surely the most civilized city would be one in which the dignity of the individual human being would be so elevated that the bringing forth of his gifts and talents for his own fullfillment in the service of man would be the ultimate objective.

3. increase awareness of the wide variety of choices available in life for all - particularly students.
approach the world out there confidently, optimistically, with brilliant expectations. it is a world full of exciting opportunities beyond anything that you can imagine. i envy you your futures. pay no heed to the no-sayers, the preachers-of-gloom, and the heavy hearted who see the world dismally.

4. encourage each individual to build upon his or her special knowledge and inner strengths.
thus, the most important single fact is that we have in our hands the opportunity to make our city - in our generation - the most livable, the most beautiful, and the most effective city in america.

5. promote the use of innate intelligence, intuition, self-exploration, and creative self-reliance.
the best way to attack any problem is to ask what things would be like if they worked.

6. confirm the great hunger for finding out just what each of us can do best, in our own voice, at any age.
the way to find new opportunities is to discover needs or yearnings of people that are not being satisfactorily met. the way to prosper is to do that well.

7. empower the individual to choose to do that something really, really well.
for many years i have worked with the conviction that what ought to be, can be, with the will to make it so. may we rise up in this country in an army of thinking that this job aught to be done, can be done, will be done.

-the seven educational goals of the american visionary art museum, with wisdom from jim rouse.

i finally met with mike patterson on friday to share my leadershape project/vision. i mentioned it briefly before, but never really explained what the thought was. here it goes (this is from my leadershape "breakthrough blueprint"):

i want to create a future where mica students and baltimore communities are connected. where students are challenged to break the mica bubble and bridge the gap between art for arts sake and art that makes things happen. i plan to implement a program (using the "finding baltimore" foundation elective as inspiration) that gives the entire student body the opportunity to explore a batimore neighborhood in three stages. 1. visiting the neighborhood/debriefing the experience. 2. developing a plan of action. 3. returning to the community and implementing something that initiates change.

that's my project. distilled to its simplest elements. there is a lot more that i won't get into right now. before i could let myself start to really pin it down and putting it on paper, i was kept getting hung up on branding. what the heck do i call this? how do i sum it all up? the first idea out of mike's mouth? "studio baltimore." and that's it. perfect. i feel like things are ready to come together. especially after stumbling across the above words at avam. and getting an email from donaghy with this link to ideo's design for social impact guide. and finally sitting down to watch the wire last night. i'm excited to start fleshing it all out.

good timing for a fall break...

ps. here's a little glimpse into my crazy color mind. why orange? it's the color of my dorm walls in the gateway. the color of the post titles on this blog. the color of the couch in the wire. it's the color of the crab in the new baltimore logo. it's part of the extended palette of the new mica logo. and it was my class color in high school.