Showing posts with label baltimore. Show all posts
Showing posts with label baltimore. Show all posts

Tuesday, December 8, 2009

33. take field trips











words cannot do this place justice, so i'll let the photos do the talking. just know it's even crazier in person.

please support globe and buy some of their legendary show posters. they would sure make good christmas presents (not that i'm considering doing that for anyone or anything...) and are worth way more than these modest guys would ever admit.

you can also check out this recent city paper feature for more about globe.

Tuesday, September 29, 2009

oh, baltimore


i was in philadelphia on saturday for no more than an hour before i found this in a place called the book corner (what i take to be philly's equivalent of the book thing, except the books are deeply discounted instead of free.) guess i was homesick already. i've loved looking through it already, finding familiar places plus places i've never even heard of and seeing just how much has changed. it was published in the early 70's, back when urban renewal was starting to slow down, but there was still plenty of praise for projects like charles center. i pulled this passage from the intro:

"some day the prime movers who decide our destinies may come to understand that the character of a city as a fit place for men and women to live depends on the survival of intriguing vestiges of the past. they give a city the historic dimension that, whether people are entirely conscious of it or not, imbues the inhabitants with a certain dignity they would not otherwise attain. the ideal city would be one where, as in so many cities in europe, samples have been preserved of all the different phases of architecture and decoration the place has gone through since the beginning. it isn't enough to do a williamsburg on a few choice mansions. it is the modest buildings, adapted and readapted to a thousand uses... in the old architecture intimations of the kind of lives the citizens lived linger on."

and so i think of how that was one of the things that drew me to mica when it was just pictures in a college view book (and i had no clue the context it was in.) i think of east baltimore and ebdi, and how stephanie is taking a class through hopkins about collecting oral histories before they, literally, are erased. (how eerie/unsettling is that?) i think of the sweet juniper lecture in detroit, and how much there is to say about ruins. (winning/dominance/survival vs. loosing/a perverse interest in our own demise.) he talked about becoming picturesque, a quality to be gained only after time, in a way that its creators never expected or planned. and i think about the project m blog that i just looked through, from their recent stint in the city. i think of how i still feel sort of guilty for leaving that city behind and going some place else. (and not being the kind of "urban pioneer" granholm wanted.) i think about the new york times article i just read about bing. (not the search engine, the mayor.) i think about how even though i'm going on my third year... there's still so much to take in. so much to connect. i might have slowed down a bit from how i used to rush to take it in and process and spit a response back out, but it's still certainly enough to keep my mind busy.

Sunday, September 6, 2009

best way to spend a saturday


working with the living classrooms foundation on a set of murals. i had no idea of how much ground they cover under the "learning by doing" umbrella. programs like fresh start, the crossroads middle school, safe streets, baltimore urban gardening, even my favorite uss constellation in the harbor. they really know what they're doing. (they've been at it since 1985) it was awesome to learn more about it all, meet some current students, and spend the day in the sun, by the harbor, painting purple row houses. so worth waking up early.

ps. i've been promised pictures of the finished mural and more action shots. i'll come back and post those upon their arrival...

Monday, January 26, 2009

concrete


clearly this photo wasn't taken recently. yes, i am back in baltimore. no, it isn't that much warmer than the mitten. (exposed toes would be a bad idea.) but i finally had to send my camera in for repairs (could take two weeks... could take six...) so i'm reaching into the iphoto "archives." and recently i've been thinking about the cities/sidewalks/text combo.

one class i'm totally pumped (surprisingly) to be taking is called "concrete culture: the city as text." it's a studio/seminar sculpture class, and a much needed departure from graphic design all the time. over the course of the semester, concrete will become my new best friend. it seems foreign to be focusing so much on material. indesign and illustrator don't count. this is about science and experimenting. i have no idea what concrete is capable of, much less what i could capable of doing with it. one of the sculpture majors in the class asked how easily it could be made to erode. another responded by pointing out that we've been watching concrete erode our whole lives, without giving it second thought, when we walk on sidewalks.

our syllabus read: "concrete is the second most consumed substance on the planet after water." (mark kingwell, concrete reveries: consciousness and the city.)

part of the excitement for me about the class (besides it being another take on cities) is seeing how far i can push design when i take it out of the typical context of computers and throw it out into the streets. (stefan sagmeister style.) now i'm interested in words activating a space/stumbling across a message in the morning and how that changes the way you go throughout the day.

it should be an interesting one... we'll see. (as soon as i get my concrete gloves.)

Thursday, November 20, 2008

before fall changes



just wanted to say... that baltimore does fall particularly well. some times i walk down the tree lined streets of bolton hill and become certain that this city (or at least this neighborhood) was made for this season.

Thursday, November 13, 2008

vision


tonight a vision for the charles north area was revealed to a packed metro gallery by the central baltimore cultural alliance. key word: vision. i like this approach. it isn't some private developer coming in and showing some final blueprints. and making it a matter of "when" instead of "what." it's current community movers and shakers coming together to invest in the area and dream big about what it could be. (mica among them.) nothing is set in stone, but steps are being taken. and, if their word holds true (which i know is a rarity with urban redevelopment) it will be an organic evolution of the area. with just a little prod.


north avenue has grown on me even more this year. i like the designs in the brickwork of the buildings. i like the layers of mismatched paint slapped on walls to cover up graffiti. this whole thought of redesigning kind of came out of nowhere. but apparently it's been a long time coming. and mica's been a key part of it all. fred lazarus is the committee chair. it was comforting to have him there. i know he has the best interest of this city at heart. and just look at what he has done during mica's time of expansion. one of the things that attracted me to mica before even visiting was their claim to mix the old and the new, to preserve existing structures (station building) and build innovative new buildings (brown) that somehow seem to fit right into the quirky campus flow. and he has always been the one to say, if baltimore goes down, mica goes down. and vice versa.

all this optimism doesn't mean i don't have my doubts. all the artists renderings feel odd. i'll miss the aesthetic of the old north ave. things like mechanical parking seem just stupid. (shouldn't we be moving away from accommodating cars like that?) and while i like some sort of penn station redesign, i think adding on a whole new wing is unnecessary. (one thing i like so much about this vision is the focus on abandoned buildings and spaces. let's work with those before we start from scratch.)

overall, this is huge. and won't happen over night. or over a year. or over ten years. but it's kind of cool to be down the street at the start of it all.

Saturday, October 11, 2008

visionary thinking


today i took a group to the american visionary art museum (part of my little "museum a month" series as a program manager.) they had just opened their new exhibition, "the marriage of art, science, and philosophy." and after being blown away by the last one ("all faiths beautiful") i was a little disappointed. the things that were so engaging before, like the wall text in particular, seemed to only be re-canned (the fonts were exactly the same), just with different content. i was able to get some awesome quotes. but, unfortunately the experience felt like nothing new. (i hold my praise for innovative exhibitions that flawlessly combine the two.)

spending less time at that exhibition did, however, give me the chance to venture over to a building of the museum i had never looked in before. upstairs was a small installation about jim rouse, a maryland urban planner. seeing this social visionary among the artistic visionaries shown in the rest of the museum (outsider art, obsessive compulsive creations, prison art) was a suprise. and much more up my alley. a social visionary, as defined by avam, champions and furthers what is best about being human. that simple. that huge. i sat infront of this wall text and copied it word for word. i love when i find a "manifesto" like this that says so much in such a straightforward way.

1. expand the definition of a worthwhile human life.
we must hold fast to the realization that our cities are for people and unless they work well for people they are not working well at all. as the peopl of the world learn what is possible, they will demand that their cities be geared to the humane and the beautiful.

2. engender respect for and delight in the gifts of others.
surely the most civilized city would be one in which the dignity of the individual human being would be so elevated that the bringing forth of his gifts and talents for his own fullfillment in the service of man would be the ultimate objective.

3. increase awareness of the wide variety of choices available in life for all - particularly students.
approach the world out there confidently, optimistically, with brilliant expectations. it is a world full of exciting opportunities beyond anything that you can imagine. i envy you your futures. pay no heed to the no-sayers, the preachers-of-gloom, and the heavy hearted who see the world dismally.

4. encourage each individual to build upon his or her special knowledge and inner strengths.
thus, the most important single fact is that we have in our hands the opportunity to make our city - in our generation - the most livable, the most beautiful, and the most effective city in america.

5. promote the use of innate intelligence, intuition, self-exploration, and creative self-reliance.
the best way to attack any problem is to ask what things would be like if they worked.

6. confirm the great hunger for finding out just what each of us can do best, in our own voice, at any age.
the way to find new opportunities is to discover needs or yearnings of people that are not being satisfactorily met. the way to prosper is to do that well.

7. empower the individual to choose to do that something really, really well.
for many years i have worked with the conviction that what ought to be, can be, with the will to make it so. may we rise up in this country in an army of thinking that this job aught to be done, can be done, will be done.

-the seven educational goals of the american visionary art museum, with wisdom from jim rouse.

i finally met with mike patterson on friday to share my leadershape project/vision. i mentioned it briefly before, but never really explained what the thought was. here it goes (this is from my leadershape "breakthrough blueprint"):

i want to create a future where mica students and baltimore communities are connected. where students are challenged to break the mica bubble and bridge the gap between art for arts sake and art that makes things happen. i plan to implement a program (using the "finding baltimore" foundation elective as inspiration) that gives the entire student body the opportunity to explore a batimore neighborhood in three stages. 1. visiting the neighborhood/debriefing the experience. 2. developing a plan of action. 3. returning to the community and implementing something that initiates change.

that's my project. distilled to its simplest elements. there is a lot more that i won't get into right now. before i could let myself start to really pin it down and putting it on paper, i was kept getting hung up on branding. what the heck do i call this? how do i sum it all up? the first idea out of mike's mouth? "studio baltimore." and that's it. perfect. i feel like things are ready to come together. especially after stumbling across the above words at avam. and getting an email from donaghy with this link to ideo's design for social impact guide. and finally sitting down to watch the wire last night. i'm excited to start fleshing it all out.

good timing for a fall break...

ps. here's a little glimpse into my crazy color mind. why orange? it's the color of my dorm walls in the gateway. the color of the post titles on this blog. the color of the couch in the wire. it's the color of the crab in the new baltimore logo. it's part of the extended palette of the new mica logo. and it was my class color in high school.

Saturday, September 20, 2008

cities + creatives


i've been thinking a lot about that combination (cities + creatives) lately. it helps having urbanism, to kind of ground and perpetuate this thinking. and i find myself doing even more bouncing back and forth. baltimore and detroit. (our first day of class a slide was shown of the demographics of detroit and the surrounding area. it was stark. black and white.)

i sat in on a discussion group this past week with the maryland state arts council (there was free food) and they asked us to reflect on various things... mainly our most pressing concerns and things we would like to see happen in our communities. and i realized that baltimore is doing so many things well. artscape is a three day long celebration of arts, claimed to be america's largest free public arts festival. organizations like art on purpose, the creative alliance, school 33, and baltimore clayworks are popping up all over. and part of that is driven by the mica led community arts movement and graduate students participating in the newly created masters of art in community arts (maca) program. most of our major musuems are free. (baltimore musuem of art, the walters, etc.) the baltimore office of promotion of the arts (bopa for short) has allowed for an increased emphasis on grant giving and public art making. they spearhead programming initiatives like free fall baltimore.

& then i came across this really interesting article from back home (by way of an urban planning website called planetizen.) i love that after the mess kwame kilpatrick has made of detroit, someone can stand up and say that a solution to standing back up as a city might be more abstract, that art has validity beyond just image, that attention to aesthetics can seep into the subconscious of a community and build its confidence.

here's an excerpt from that metro times piece, called "wake up the neighborhood."

"Reading that reminded me that I love Detroit because of all you Ferdinands (cheval) who live here. You view buildings as vessels rather than "developments." You appreciate Detroit not just because of what it used to be or could be, but because the city has a special power and you feel plugged in. That's what you capitalize on. You recognize that far too many of our architects and urban planners — supposedly creative thinkers — are dreaming up lofts and paving over green space. And in the absence of globally minded government leaders, you consider artists visionaries. You literally take matters into your own hands, rebuilding your home or your neighborhood. In the scorched earth, you see potential for life to flourish again."

the picture above is from a guerrilla art effort in detroit. (called "disney demolition") abandoned buildings were suddenly getting coated with this pumpkin orange paint. and the thing is, it didn't take long after they got this face lift that the city finally reacted and demolished them.

Monday, September 15, 2008

urbanism assignment



here's what i actually did for urbanism. (look familiar?) the assignment was to read five different visionary (of the likes of antonio sant'elia, frank lloyd wright, le corbusier...) city planning texts and to look for ways in which their ideas have trickled down today in baltimore.

le corbusier and his "guiding principles of town planning." got me going right from the start. this "believe" connection seemed almost too good to be true.

the bold white on black believe banners were something that i immediately loved about baltimore. anytime graphic design can use one word to alter the spirit of a community i'm intreguiged. in so many ways it was one word ("advokate") that led me to an art school, after all. and without knowing anything about what it meant, "believe" appeared to be attempting to do that for an entire city.

looking into it more, i found a progress report on the campaign, which turns out was a full-fledged media effort under mayor o'malley launched in 2002 (and was technically shortlived although the ripple effect still exists in remnants of believe things still around the city.) here's the resoning behind the campaign's creation:

"... it has been difficult for the people of baltimore to embrace with hope and confidence the possibility that human intervention could really drive the pestilence of illegal drugs and their violent effects from the midst of their city. facts alone do not change habis of mind and pessimism of expection long warn into the public psyche. the baltimore believe campaign was concieved as an attempt to set in motion a change that facts alone could not accomplish. it was constructed by the politcal and business leadership of the city to light a fuse of popular will and determinaton that would alter behavior inside and outside the drug culture to undermine its horrific effects on children, on adults, and the city in which they live. nothing like it has ever been attempted before."

a few things worth calling attention to:

first, a leader stepping up to tackle a problem of monumental proportions in the most optimistic way. and not relying on a typical response, but instead doing something so innovative and risky, and trusting that the people of the city would rise to the responsibility. (mayor o'malley is quoted as asking them to "risk action on faith.")

second, there were tangible results. through tv commercials, newspaper spreads, a website, and a hotline, progress was made with programs for career services, the police academy, big brother/big sister mentoring, and drug treatment. (to see the actual data, here's a link to the report itself.)

now i realize i am only seeing one piece of the puzzle in this research. it is impossible to ever fully know the intricacies and layering of a city. i am sure this idealistic project was not without controversy or criticism. but i am still wondering why it officially ended. (though i have some ideas. politics, money. cough, cough.) i am left to only imagine what could have been accomplished if the believe mentality had been continually promoted with such vigor.

and back to corbusier...

"a flood of action which leaves purposes way behind it, taking shape according to the special capacities of the people, stirs the emotions and comes to dominate developments; it issues orders; it establishes behaviour and gives events their deeper significance. at first this flood of action disappoints; but on closer consideration it encourages men and arouse confidence."

summary:
between believing and not believing. it is better to believe.
between acting and disintegrating. it is better to act.

Thursday, September 11, 2008

baltimore 360


i was going to use this for an urbanism project, but then i changed my mind. still looks cool, though. it's a 360 degree pieced together panorama of baltimore from the top of the mt. vernon's washington monument. (which i climbed with my dad and young kip before school started. 237 stairs. sounds easy, right? not so much. it was a never ending sprial ascent.)

Friday, August 29, 2008

exploring baltimore


"we live everything as it comes, without warning, like an actor going on cold." (from "the unbearable lightness of being." a book that is basically my life right now. thanks for that one, jackie.)

one of my focuses during orientation (besides answering any and all questions mica related and getting freshman to dance at freaky tiki) was working with a group of 3 other mica sophomores on redesigning the hour long "charm city slide show" presentation that essentially welcomes the new freshman class to baltimore. this was quite the undertaking, and we had been meeting and discussing our approach since last spring. summer email communication was fairly successful, but once ol training hit it was hard to get the time to take to reconvene and finalize things. which, realizing the magnitude of the message we set out to convey, made me nervous. i like improvising and tackling things as they come. but when it is something really important, i like knowing that it will happen without a hitch.

much of our message (actually all of it...) rested on andy's mad scientist map creation (something he was working on pretty much the entire school year.) what it really came down to was wanting to provide the freshman with a tool that would give them the resources to explore baltimore on their own. so instead of listing off ten random places to visit, we would break things up into categories and corresponding modes of transportation. this is something he is still working on, so you can imagine how much more can be done with it. it's huge. this is something that not only hasn't existed (especially in such an interactive form) at mica, but doesn't exist in baltimore, either. the focus now it to highlight locations that are essentially dubbed "mica student approved," but imagine if it becomes a resource for an entire city of residents...

here's the website: www.aneighborhoodcalledbaltimore.com/map

even if you are miles away in michigan and may never visit baltimore, check it out. make sure you mess around with all of its features (there are both transit and walking maps.) and if you happen to call baltimore your stomping grounds, don't hesitate to email andy, andymangold@gmail.com, with more places and addresses. (or to tell him how amazing his map is!)

edit: these posts are pretty delayed. but i figured i'd cheat and put them up anyway...

Wednesday, August 27, 2008

ride the ducks







a year long dream came true during orientation leader training the other day. i finally got to ride the ducks. and it was everything i had hoped for and more. captain al was such a treat. and i was a total tourist with my camera and duck bill "quacker."

edit: these posts are pretty delayed. but i figured i'd cheat and put them up anyway...

Sunday, May 4, 2008

graphic designers are geeks (and we like it that way...)


i live under a rock. but last night i found myself at a show in a pretty cool gallery (with a map of baltimore painted on the walls that i couldn't take my eyes off of...) called the current gallery. the baltimore music scene is something i don't really know a lot about (rock, remember.) but it's thriving. thriving enough for rolling stone to name baltimore the "best scene of 2008." and there are so so many places i haven't even been and bands i don't even know about. on the plus side, i have three more years here to find things out...

how did i end up out from under said rock? i was told that a band comprised of two gd faculty would be playing. which sounded enticing. and, no, unfortunately, it wasn't ellen lupton. but it was just as good: two totally geeky graphic designers, bruce willen and nolen strals, from the design group post typography. post typography is already amazing. but when i realized that they also had a band... i was impressed. i was joking when i asked if they played music about graphic design. they do. really loud music about graphic design. with screaming lyrics about graphic design. (the band is called double dagger. come on...) they were so entertaining to watch.

all i can says is... i can't wait to have these guys for experimental typography! so ridiculous.

Tuesday, April 15, 2008

block party


it seems like forever ago that i sat in a starbucks with donaghy and rapidly took these notes when discussing baltimore and ambitious and unformed plans for a block party.



on monday it happened. and it was amazing.




we kept it simple. and all the elements came together just right. we hung all of our houses (well over 200 now. we've stopped counting) on the clothesline installation we've always dreamed of. the way we meant it to be displayed when we formulated this vision last fall in finding baltimore. parkhurst set up a tent with hot dogs, hamburgers, garden burgers (you can't forget where we're at...). mount royal choir came and kicked it off. e the poet emcee and his entourage of rappers and beat boxers and poets infused the entire thing with energy and honesty. and the simplest concept of all, we set up a table covered with art supplies and cloth and cardboard houses, and asked mica students and community members to add their creation of community to the clothesline. make a house, get an ancb button. and a cookie.



what makes community arts really work is supporting an idea with the right combination of people and place. i can't think of a better place to have done a block party. now it seems like that space in front of the meyerhoff was made for it. nothing is ever really done there, but there was an ample amount of grassy space, lots of railings and lampposts for hanging clothesline, a consistent amount of traffic (mica students going to their dorm or to the dining hall, kids walking home from school, and community members passing by.) kids from the better waverly art club came. a kid that had made a house when we had a table set up at the walters last friday. (he was me & tara's favorite. he asked us if it was alright if he put an alias on the back of his house. he was like 6 years old.) and the group of kids and their teachers from our most recent workshop last wednesday in patterson park. paula walked over with some maca students. my elements teacher katherine came for a bit. chuck the madd-ox, e's beat boxer, brought his little boy. a lot of the kitchen workers came out and made houses. and so many of the little neighborhood kids got sucked into the chalk and couldn't be torn away. it was pretty cool to see them all come. it was really just such a good, fun day.



(it was not an easy task at all to edit 700 pictures down to the ones you see here. i'm working on uploading them all to the ancb website.)

Wednesday, March 26, 2008

look up


today some of the mica banners came down on mount royal to be replaced by the baltimore version of the urban forest project. the idea started first in new york city. artists and designers were called upon to create banners banners that used trees as a metaphor for sustainability (all of the original banners can be seen here) and they were hung on lampposts in an outdoor exhibition. when creator, mark randall, presented the project at the bma last fall during "design for community," he announced that someone had recently agreed to bring the idea to baltimore. just a few months later, it is a reality. 350 banners. 7 streets and 6 parks. and it is a reflection of the direction baltimore is heading in.

the whole city has switched to single stream recyling. it was weird to be home and not have a way to recycle. i'm glad that there seems to be more of a sense of sustainability consciousness here. the mica store has stopped carrying plastic bags. people walk places. cafe doris now has corn cutlery (we still have styrofoam take out boxes, but one step at a time...) there's even a baltimore sweep action parade this saturday. i'm not one to get caught up in the hype of green. but this is all stuff that just makes sense. and why not use banners to build discourse?

Wednesday, March 12, 2008

better waverly


an idea from jennifer granholm @ the diversity round table about a year ago. it has stuck with me. and increasingly it represents an idea bigger than i could have imagined when she first mentioned it. it is a problem and a solution all rolled into one statement...


last wednesday i went to better waverly (a neighborhood in baltimore) with my friend stephanie. she does her cap internship there at a community arts center (which is a row home that has been converted.) they do after-school art classes (the group stephanie works with) and other things like free piano lessons. in an article about the center, someone from the better waverly community organization states, "you turn on the lights at 901 montpelier, and there's going to be a child's face pushed up against that door." it's a pretty cool place. totally part of the community. kids can walk out of their house, literally walk a few doors down, and make art.

it was a good day for me to visit. stephanie was starting a new project with them, a video that would showcase better waverly. to start to brainstorm ideas, the group (about 12 kids) took us on a tour of their neighborhood. they carried around little notepads and were told to keep three things in mind. 1. what am i proud of? 2. where do i hang out? 3. what would i like to see for my neighborhood in the future.

the weirdest/scariest thing for me was how aware these kids are of everything going on around them. and i mean everything. they talked openly and eagerly about recent shootings and gangs, and took us to the "rapist park" as one of the tour stops. i cannot imagine being born into an environment with such an inherent burden. i worry that there is no outlet for these kids about these things. and i worry art can only go so far.

Saturday, March 8, 2008

neighborhoods


last night i was finally able to sit down and read the latest issue of the urbanite. it was the coolest thing to flip through and find pages and pages of people unknowingly pursuing the same idea: neighborhoods. and even crazier was that the things they were observing and questioning are exactly the same things we are scratching at with a neighborhood called baltimore. this issue was all about something called "the urbanite project."

What is The Urbanite Project?
By Frans Johansson

The author of The Medici Effect explains how the explosion of new ideas at the intersection of different fields can change Baltimore-starting with you:

Let me ask you a question. What is the connection between termites and architecture? Shoe designers and car engineers? Lollipops and sea urchins? Or butterflies and mobile phones?

The connections may not be too obvious at first, but each of those combinations represents a remarkable innovation, and an incredible idea. Those who find such unique connections (almost all of us) and dare to pursue them (a lot fewer of us than should be) are the ones who are breaking new ground. Those people who can step into an intersection of different fields or cultures are those who will change the world.

It may seem quite counterintuitive at first-but the fact is that you have the best chance of breaking new ground if you combine what you know today with ideas or concepts from other fields or cultures. Your best shot at innovation does not, in fact, come from you increasingly specializing in your current field. It may help you change things incrementally, in small, predictable steps. But it shuts you out of more intriguing and groundbreaking discoveries.

Take this guy, Mick Pearce, for instance. He is an architect that received a tough challenge to design an attractive building in Harare, the capital of Zimbabwe, but also, in the design, to get rid of any need for air conditioning.

This may, on the face of it, seem ridiculous. After all, it can get pretty hot in Harare. But Pearce solved the problem by basing his architectural designs on how termites cool their tower-like mounds of mud and dirt.

How was that again?

It turns out termites must keep the internal temperature in their mounds at a constant 87 degrees in order to grow an essential fungus. Not an easy job since temperatures on the African plains can range from above 100 degrees during the day to below 40 at night. Still, the insects manage it by ingeniously directing breezes at the base of the mound into chambers with cool, wet mud, and then redirecting this cooled air to the peak. By constantly building new vents and closing old ones, they can regulate the temperature very precisely.

Pearce's passion for understanding natural ecosystems allowed him to combine the fields of architecture and termite ecology and to bring this combination of concepts to fruition. The office complex, called Eastgate, opened in 1996 and is the largest commercial/retail complex in Zimbabwe. It maintains a steady temperature of 73 to 77 degrees and uses less than ten percent of the energy consumed by other buildings its size. And it saved $3.5 million immediately because they did not have to install an air-conditioning plant.

Pearce had become an innovator-he had changed the world, or at least a small part of it. What, exactly, enabled him to become such a leader? He was not a world-leading expert in architecture and he certainly was not an expert in termite ecology. But he did not have to be. Instead, Pearce used his knowledge within one field and joined it with ideas and concepts from another seemingly unrelated field. He, in other words, stepped into the intersection between those two fields-and struck gold because of it.

Pearce broke new ground, not because he focused relentlessly on one field within one culture. Instead, it was his willingness to explore ideas and concepts outside of his field of expertise that enabled him to break new ground. We can all do this. In fact, in the fast-changing world that has emerged during the last couple of decades, finding such intersections is a requirement. It is the surest way to generate groundbreaking ideas and make them happen.

I call the explosion of new ideas at the intersection of different fields "the Medici Effect," a name derived from a remarkable burst of creativity in fifteenth-century Italy. The Medicis were a banking family in Florence that funded creators from a wide range of disciplines. Thanks to this family and a few others like it, sculptors, scientists, poets, philosophers, financiers, painters, and architects converged upon the city of Florence. There they found each other, learned from one another, and broke down barriers between disciplines. Together they forged a new world based on new ideas-what became known as the Renaissance. As a result, the city became the epicenter of a creative explosion, one of the most innovative eras in history. Leonardo da Vinci is the illustrious standard-bearer of the Renaissance and is the ultimate representation of Europe's most creative explosions of art, culture, and science. The effects of the Medici family can be felt to this day.

We, too, can create the Medici Effect. We can ignite this explosion of extraordinary ideas and take advantage of it as individuals, as teams, and as organizations. We can do it by bringing together different disciplines and cultures and searching for the places where they connect. And there has never been a better time to do this than now.

In my travels around the world, while speaking at corporations and conferences and while talking to innovators of all kinds-entrepreneurs, scientists, designers, executives, artists, policy-makers-it has become very clear that the need for innovation is at a fever pitch. The world is changing at a breathtaking speed-faster than ever before. I have yet to meet an executive who with confidence can tell me where his or her industry will be five years from now. Imagine being an executive in the CD industry in the mid-nineties. You could have the best, most strategic plan to conquer this industry, to become a global market leader. But today you would be dead. You'd be gone. The world is changing fast and we have to change with it. But how?

Today the world is converging in more places than ever before. People move between different countries and our communities get increasingly diverse; science and technology are converging faster than ever before, and the power of the Web connects people between places in ways that only a couple of years ago would have been unthinkable. This convergence is giving rise to more intersections than ever-and more opportunities for each one of us to create the Medici Effect. Everywhere you can see such connections: Nike designers work with General Motors engineers to develop tire patterns that resemble a sneaker's sole (for the H3 Hummer). Marcus Samuelsson, a black chef born in Ethiopia, learns how to cook food around the world and innovates Swedish cuisine at his restaurant Aquavit. He becomes the youngest chef to ever to receive a three-star rating from The New York Times, for dishes such as sea urchin lollipops. Dr. Deborah Prothrow-Stith steps into the intersection of violence prevention and health care and dramatically drops the level of violence and murder in Boston during the 1990s. Groundbreaking ideas spring out of such unusual connections. This is how we innovate; this is how we change our world.

In this issue of Urbanite you will see a few such remarkable collaborations. But any one of you can reach to a field or culture different than your own. If you can find a connection, you may have discovered the best chance to create something new, to change our world.

As it turns out, the single best way of breaking out of the pack is to take what you know right now, today, and combine this knowledge with ideas from other fields, industries, and cultures. When you find those connection points, explore them and prepare for an explosion of groundbreaking ideas.

So what about the intersection between butterflies and mobile phones? I'll let you work that one out for yourself . They are connected, however-and the truth is that most things in this world are connected. The world is, indeed, a connected place. But it wasn't created that way. There has always been someone making the connections.

It could be you.


2008. This year, the project consists of seven teams of collaborators; each team has been asked, What would you do if there were no boundaries? What concern–either here in Baltimore or globally– would you confront if nothing stood in your way? The Urbanite Project aims to explore the possibilities of collaborative innovation and bring that power to bear on the most intractable human problems.


here are the two teams with ideas that stuck out to me, with some excerpts from their articles:


team one: the neighborhood exchange program

"the idiosyncrasies and individual character of these neighborhoods contribute to baltimore's rich texture and coarse charm, but they also reinforce baltimore's stratification and contribute to its entrenched problems. neighborhoods are pitted against one another for shares of city resources, close neighbors willfully ignore problems in adjacent communities, and residents are discouraged-through ingrained habits, prejudices, or political pressure-from straying beyond their neighborhood boundaries."

"each group repeated the theme that a lack of knowledge and communication between adjacent communities cause frustration, confusion, and slow progress on a number of shared issues. during our discussion, several participants expressed beliefs that the department of recreation and parks moves resources from one neighborhood to another without explanation or prior discussion, that the school system makes decisions based more on political maneuvering than neighborhood needs, and that the baltimore development corporation flies under the radar to evade community involvement in major development projects. the lack of communication and human connections between neighborhoods prevents residents from fully comprehending or influencing city government decisions such as these."

"we hope that other neighborhoods will see this as an impetus for their own neighborhood exchange programs, reaching across the walls to meet with the unknown other that we are taught to avoid, combat, or ignore. this idea should not be limited to community groups–any individual can take steps to expand his or her horizons. the goal is to reach out and meet our neighbors, looking outward as well as inward. we believe that a collection of neighbors and neighborhoods can rally around their commonalities and respond to their collective differences, proving literally greater than the sum of their parts."


team six: wired, but not quite ... connected

"historically, neighborhood identities run deep in baltimore, and while that adds to the city's charm, it can work against building the kinds of connections the city needs to reach its full potential." this team used photography to "examine the disconnect and interconnectedness of baltimore's neighborhoods and people."

"we live and work in this giant checkerboard with its more than 250 neighborhoods, each of us only one or two spaces from some community in the grips of the tragic urban trio of crime, poverty, and racial prejudice. yet a multitude of community organizations and outward-looking people persevere. they work to repair communities like weavers mending the urban fabric. they remind us about those being displaced, unable to keep up or ride the wave of progress. they also realize the value of connections, looking outside their neighborhood boundaries to join others and make their case or better their situation. let's hope enough of us are listening."



pretty cool coincidences. let's start making connections.

Thursday, February 28, 2008

hope


baltimore is challenging me in ways i could never have imagined.

yesterday i saw a shooting. no shit. it totally shook me up. and i wasn't sure how to even process it all. i needed to debrief myself. i just started writing down the reasons why it bothered me:

-it shattered a false sense of faith (it took me awhile to find that word... but i think that describes it) in the city around me.
-it reinforced fear mentality that my parents were so adamant about when they visited
-my lack of control. i saw something happen right in front of my eyes and within a matter of seconds. and there was nothing i could do about it.
-it was where i walk everyday. completely unexpected.
-two people died. totally puts a new perspective on that number.
-i don't know what is happening now. kind of a hopeless/clueless feeling.
-i didn't know what to do in the situation. i've never been in that place before. do i run? walk the other way? stay and gather details? call 911?
-the sound of gun shots. the scariest thing.
-i'm scared to walk back that way again. because i'm worried it will all come back to me. (which might need to happen...)
-and on top of that... today there were at least two times as many sirens as usual. i was so on edge and uneasy. i couldn't focus in any of my classes. i felt like i was just drifting through with this major burden.

i was able to talk to stephanie about it tonight, which really helped. her persepctive is that mankind will always let you down. her hope is in christ. that view helped clarified my own. my hope is in mankind. i refuse to accept being let down. that's where my problem lies. i have nothing higher to place that faith in. and that's exactly where i'm stuck. placing blind hope in a hopeless situation around me. and i'm ok with that. someone has to do it.

"to be hopeful in bad times is not just foolishly romantic. it is based on the fact that human history is a history not only of cruelty but also of compassion, sacrifice, courage, kindness. what we choose to emphasize in this complex history will determine our lives. if we see only the worst, it destroys our capacity to do something. if we remember those times and places – and there are so many – where people have behaved magnificently, this gives us the energy to act, and at least the possibility of sending this spinning top of a world in a different direction. and if we do act, in however small a way, we don’t have to wait for some grand utopian future. the future is an infinite succession of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory." - howard zinn

Tuesday, February 26, 2008

the thing about cities


"we need to invest in the cities of america. if we can spend
[billions of dollars] in iraq, we can spend some of that money
right here in baltimore."
- barack obama
from his stand up for change rally in baltimore


just some city snippits...

Saturday, February 2, 2008

art as necessity




just a quick spotlight on one mica student doing something very cool.